The Eucharist continues to be central to contemporary Christian religious tradition and to be the focus for a wide range of assumptions and disputes. Chief amongst these disputes is the role of women in the theology and the ritual of the Eucharist. Reinterpreting the Eucharist brings together a diverse range of voices with each using their own marginalised experience to explore other ways - indigenous culture, medieval and contemporary art, social history, and environmental ethics - of engaging with the Eucharist. Presenting new forms of theological and ethical engagement, the book responds to the challenge of reconsidering the meaning of the Eucharist today.

The Eucharist continues to be central to contemporary Christian religious tradition and to be the focus for a wide range of assumptions and disputes. Chief amongst these disputes is the role of women in the theology and the ritual of the Eucharist.Reinterpreting the Eucharist brings together a diverse range of voices with each using their own marginalized experience to explore other ways - indigenous culture, medieval and contemporary art, social history, and environmental ethics - of engaging with the Eucharist. Presenting new forms of theological and ethical engagement, the book responds to the challenge of reconsidering the meaning of the Eucharist today.

When the Lukan Jesus stands up to read in the Nazareth synagogue, he unrolls and rolls up a scroll. At this moment-which scholars have read as programmatic for the Gospel of Luke-the material text frames the written and spoken word. Here reading is an engagement with the senses of touch, sight and hearing. The organs of sense-skin, eyes, ears and mouth-function as mediators of the material text. By contrast, our contemporary practices of reading as biblical scholars and critics commonly ignore the underlying materiality that is given to writing. In an ecological context where the mass production of Bibles is part of a consumerist economics that does not walk lightly on the Earth, and in an Australian postcolonial context where Bibles arrived as material artefacts of European colonizers, this book asks what modes of reading might best be suited to the materiality of the text. Engaging with the Gospel of Luke and the five senses, The Matter of the Text enacts a mode of reading that attends to the underlying materiality of the text. Reading with the senses offers a way of imagining the mutual touching of artefact and writing and the absent presence of the material text, where matter is given to the word as a visible voice.